This week I started reading through our debut novel The Body Hunters for
the first time in nearly a year. Come to think of it, I just realized
this is the anniversary of the day we published it, weird. We've been
working on a script adapted from our book, so I needed to read through
it again and make the necessary changes as far as the adaptation was
concerned. In a script, you can't have paragraphs explaining what's
going on, that's something that has to be discussed between characters
or otherwise shown in the film. There's no need for flowery prose in a
script, all that has to be streamlined, leaving the skeleton of the
story. Though we've gotten good reviews and positive feedback from those
who've read our first book, some of the mistakes we made as first time
authors stuck out to me.
With the script it's been sort of a Body
Hunter 2.0. Now with a fresh pair of experienced author's eyes, I've
gone in and changed what never should have been, including one reality
television subplot that never really went anywhere. In the screenplay,
there's a better introduction to our hero, Aiden Stone and the villain
is even more of a monster, if that is at all possible. And like our
latest works, the voices of Von and I assimilate into one and you can't
tell where my writing starts and hers begins. Still, looking behind me,
I'm tempted to pull a George Lucas and go back and make changes to the
first novel to satisfy that egotistical author in me who's looking for
perfection. But I know I can't do that. If I'm stuck looking back at the
past, how can I concentrate on the future?
Every mistake we make
with any project, not just our first is an opportunity to grow and learn
as writers. Sure being an artist, you want it to be perfect, so you
change this word and that, and you spend hours editing trying to get it
just right. But sometimes that search for perfection does more harm than
good. You stall and procrastinate, obsessing over the littlest thing,
moving paragraphs around until you've done nothing but made yourself
crazy. That is something our editor, Reggie, told us from the start. She
forced us to make a deadline and stick with it, which is a policy we
still go by nearly four novels and a year later. We're only human, so we
have to accept that we can't be perfect all the time.
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